Subway Sounds (2020). With Dr Yunwen Gao from The Chinese University of Hong Kong, I have been awarded funding from the British Academy to explore New York City subway culture through sound.
Cultures of the Street (Ongoing). I am working on an ethnographic project exploring performance and ‘street’ culture across a range of historical and geographical contexts.
Social Housing in Performance (2014-2019). This project extended my PhD research, examining the representation of council estates in t.v, film, theatre and visual arts practices – with an emphasis on ‘performance’. My book Social Housing in Performance (Bloomsbury Methuen 2019), is the result of this project.
Subway Dancing in New York City (2015/16). In April 2015/June 2016 I undertook research trips to New York city where I explored subway dancing culture through observation and interviews with dancers, audience members, documentary makers and city officials.
The Postcolonial City (2011-2015). I was a participant in the Postcolonial Cities initiative at the University of Leeds. I was an active member of the reading group and co-organiser of the 2012 conference ‘The Postcolonial City: Production, Reconstruction, Representation‘. I am co-editor of a (2015) special issue of Interventions: International Journal of Postcolonial Studies.
The Council Estate in Performance: Performance Practice and the Production of Space. (2009-2014). My PhD investigates how the urban ‘Council Estate’ (a colloquial term, used in the UK, for British social housing estates) might be ‘produced’ through contemporary performance practices. I define the Council Estate as an archetypal place, serving to contain and conceal structural inequalities. I use Henri Lefebvre’s (1991) model of ‘the production of space’ and its extension by Edward Soja (1996) to understand how performance practices operate to reinforce and also to resist the dominant discourse of the Council Estate.
Conference organiser: TaPRA2019. University of Exeter. 4th-6h September 2019.
Conference organiser, performer: Home in the Housing Crisis. Geffrye Museum. 22nd April 2016.
Panels’ co-ordinator, sub-committee member, reviewer: PSi#18 Performance: Culture: Industry. University of Leeds. 27th June – 1st July 2012.
Conference organiser: Re-evaluating the Postcolonial City: Production, Reconstruction,
Representation, University of Leeds 2nd – 3rd February 2012.
External Activities and Public Engagement
Battersea Arts Centre Scratch Hub Social: Creativity & Social Change (2019) – I was an invited panel member at this event, curated by the Battersea Arts Centre’s Scratch Hub as part of the ‘Socials’ series.
Representation of Working-Class Women in British Theatre (2019) — I was an invited panel member at this event, curated by the organisation COMMON as part of the VAULT Festival 2019.
The Council Estate in Culture (2019) – I was a guest on this BBC Radio 3 Free Thinking Show, exploring the role of the council estate in art and culture, along with artists Kader Attia and George Shaw, and the novelist Dreda Say Mitchell.
Art and Loss of Social Housing (2017) – I conceived and organised this event, at Exeter’s Phoenix Arts Centre, comprising an exhibition, film screening and panel discussion, which explored how art serves as a means for social housing residents to engage with the loss and threat of loss of their homes. This was part of the 2017 Being Human Festival of the Humanities.
Writing About Contemporary Artists (2017) – I was an invited speaker at this conference, held at the University of Surrey, on a panel concerning writing about artists online and with the use of social media.
Common Wealth (2017) – I was a invited speaker at this event on housing and activism held at Spike Island gallery in Bristol.
Art, Housing and Regeneration Struggles in South London: Post-Grenfell Housing (2017) – I was an invited speaker at this panel discussion exploring art and housing regeneration struggles in South London. Hosted by London South Bank University.
What Can Art Do for Housing Activism? A Long table discussion (2016) – I conceived and organised this panel at the London School of Economics as part of the 2016 Resist Festival of ideas and actions.
‘The Resident Artist: Making Performance in Your Council Estate Home’ (2015) – I gave this public lecture at Senate House, London as an invited speaker for the Institute of Historical Research ‘Studies of Home’ series.
Performance, Property, Activism (2015) – I conceived and co-organised this panel at Queen Mary University of London.
Ten in a Bed (2015) – I led a successful funding bid for and co-delivered the project Ten in a Bed, supported by Queen Mary University of London’s Centre for Public Engagement. Ten in a Bed was a collaboration between Phakama, the Drama Department at QMUL, East End Homes, Discover Children’s Story Centre (Stratford) and families local to QMUL. It was an innovative model of two way public engagement. It informed audiences (arts, education, local authority) of research into the personal and social benefits of arts practices, and engaged directly with ‘hard-to-reach’ local families to enhance literacy and family learning opportunities.
Look at the E(s)tate we’re in (2013) – invited participant and speaker to this summit on council estates and social engagement organised by performer Jordan McKenzie.
‘Playing Up 2’ (2010) – observed rehearsals and delivered workshops for the National Youth Theatre on the ‘Playing Up’ programme, which prepares disadvantaged young people for Higher Education in a drama school environment.
Month long residence as applied theatre practitioner in South Africa (2010) – delivering workshops in game-play and creative drama to children in deprived and remote communities in the North West Province.
My House Project (2009) – worked to engage social housing communities in the theatre by encouraging them to attend workshops designed to work towards a performance; also encouraged them to become involved in theatre by providing tickets to performances.
‘Performing Estates’ (2009) – acting workshops encouraging participants to explore a specific housing estate and a flat in the estate and then to re-embody the space through workshops in a studio.